The Plan: Nail cleat to wall, 2 thumb tacks into top section of cleat, 2 neodymium magnets (slight overkill, but entertaining!) to hold print up without making holes in the paper.
I put pins and a piece of wood on the back to extend the print out from the wall a little... perhaps done more easily with just long pins. I used the strip on the wall because it was there, but even 2 push-pins can (temporarily) hold this set-up.
The small shadow almost serves as a frame of sorts.
10 x 30" and 18 x 24" prints. Source material (future woodblocks) are on the left. These have a layered "ghost print" on top - I mixed a little blue in the black ink and printed the flipped image of each section.
My original photo (from the bridge by the ICA) and print. I'm still debating on adding another block to the bottom to make it 3 total. This should hopefully help link it better to the circles below. I need to work out some color connections, too.
Taking a break from thesis work to assemble this recycled coffee table. I used Ikea pieces we already had (probably to be swapped out for "real wood" legs eventually) and a window from my parents' dining room. What a difference a drill can make! I got the idea after visiting several amazing artist studio lofts at Eclipse Mill. Thanks, Dawn!
Ironic that I had to drive all the way to North Adams to figure out what I wanted to do with one of the windows sitting for weeks in my car trunk.
Process! My intent is to record much of the thinking, planning, and creating done for my thesis exhibition. I will use this forum as a place to invite collaboration, store digital images and keep track of what I have done and am currently working on.
Layered Intentions
My work comes from an interest in perception, contradiction and translation. Through relief printmaking I discover and alter patterns from familiar imagery. By taking one idea and turning it into many, I create seemingly identical, but slightly altered, complicated, and purposefully concealed images.
I am always looking for the next temporary answer to the dynamic, self-induced challenge: Within a planned environment, how will one creative approach spawn the next related, yet different approach? Looking to both complicate and clarify my allure for the mundane, each finished piece represents an idea in process. As a result, each piece counts on the work before to directly inform what comes next.